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Fascism’s empire cinema restores these films to italian and international film history, and offers a case study of the intertwining of war and cinema and of the unfolding of imperial policy in the context of dictatorship. In dialogue with recent scholarship exploring social and cultural aspects of the italian presence in the horn of africa, it draws on original archival research to investigate the stories,. Shot in libya, somalia, and ethiopia, these movies reinforced fascist racial and labor policies and were largely forgotten after the war
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In fascist modernities (2001), she addressed social history, literature, and cinema produced u. Italian fascism’s empire cinema presents a detailed and probing account of the ways the italian government sponsored, controlled, and funded some films, while transforming, censoring, or blocking production of others. This masterful study opens wide the closet door, providing access to a wealth of cinematic culture and history.
